Breaking Grid
On the theme “Order and Chaos” of the TexpoART 2026 Triennial
When Order Breaks Down
“Breaking Grid” straddles the line between order and chaos. Fragments of a portrait seem to dissolve and reassemble at the same time. The work explores transformation—that fine line where the familiar shatters and something unexpected can emerge.
The Story Behind the Work
Some pictures just won't come together.
“Breaking Grid” began as a portrait titled “Firefly Cosmos.” For years, it waited to be completed—but something about it didn’t feel right. I didn’t know how to change it. So the work remained trapped within its established order.
As I explored the theme of “Order and Chaos,” it suddenly became clear what had to happen: The work had to be destroyed so that something new could emerge.
I took a deep breath and cut up the nearly finished wool painting.
From this moment of chaos, a completely new composition emerged effortlessly and naturally, as if of its own accord. The left half of the image still retains fragments of the original order. Toward the right, the portrait gradually dissolves. Shapes shift, boundaries blur, and the grid loses its control.
To me, the finished work has retained its cosmic quality. It brings to mind stars and nebulae—those places where dissolution and creation are inextricably linked.
We often try to bring order to our lives. We plan, organize, and keep track of things. But sometimes, something new emerges precisely when we’re ready to let go of that order.
“Breaking Grid” tells the story of this moment—of the uncertainty that arises when familiar structures break down, but also of the freedom that can emerge from it. Perhaps this work reminds us that chaos is not always the opposite of order. Sometimes it is the beginning of a new order.
The Material as Part of the Message
Various layers of fabric were combined to create this piece.
The original wool painting was cut up and reassembled as a collage. Dyed gauze lies like a semitransparent veil beneath the dissolving composition, emphasizing its increasing fragility. Freehand embroidery initially appears to hold the piece together. On the right side of the image, the glittering threads lose their organizing function and increasingly meander unchecked through the space.
The work is mounted on a hand-painted acoustic panel. Its textured surface adds an extra layer to the textile surface and enhances the impression of fragmentation and spatial depth.
Here, the material is not merely a vehicle for the idea—it embodies it.
An Overview of the Artwork
Wool painting on acoustic panel
Technique: Wet felting, mixed media, collage, hand embroidery
Dimensions: 45 × 50 cm
Status: Available